With this said, let’s get right into the meat of thing. ![]() ![]() It’s also full of curious editing choices, including clip art swipes that look bizarrely out of place, while the editing technique is borrowed from three-camera sitcoms - I honestly haven’t seen transitions like this since Tim Allen’s Home Improvement. This includes very little attention to production value, using a steadicam, two shots, and edited with very long takes that drain the energy out of the comedy the film has the amateurish look of a sloppy 48 Hour Film Project team. Like filmmakers Joe Swanberg and Tommy Wiseau, Perry has set up his company in a way where he essentially has total freedom. ![]() Tyler Perry’s A Madea Christmas is another fascinating trainwreck of a Tyler Perry film. ![]() Guess who’s coming to dinner? It’s Madea and Larry the Cable Guy.
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